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	<title>Ghyll:Not Peershakes - Revision history</title>
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	<updated>2026-05-15T13:48:47Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27032&amp;oldid=prev</id>
		<title>Morbus Iff: I've a headache. It's buggering my head.</title>
		<link rel="alternate" type="text/html" href="https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27032&amp;oldid=prev"/>
		<updated>2005-08-29T22:48:27Z</updated>

		<summary type="html">&lt;p&gt;I&amp;#039;ve a headache. It&amp;#039;s buggering my head.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 22:48, 29 August 2005&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;unkown &lt;/del&gt;or unremembered or very-well-forgotten by all of Ghyll. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;There have been and are, however, numerous people alleged to have been Not Peershakes&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;you just can't stop a [[lay public|curious public]] from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blimey nikt,&amp;quot; a play about the exploits of funnyman K Mrx. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know. This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;unknown &lt;/ins&gt;or unremembered or very-well-forgotten by all of Ghyll. There have been and are, however, numerous people alleged to have been Not Peershakes&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/ins&gt;you just can't stop a [[lay public|curious public]] from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blimey nikt,&amp;quot; a play about the exploits of funnyman K Mrx. Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman grenfer from [[Shepenor]], Frank Sicksdagrees. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;He lived just prior to and during the Grenf Tracing Ban of -147 [[EC]]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Only one piece of poetry that surely is his &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is &lt;/del&gt;saved &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;to &lt;/del&gt;posterity, but it is so bad a piece that I refuse to print it here (but you may go to this scholar's &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Mureannor|&lt;/del&gt;work]] to read it). &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Other suspects include X&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/del&gt;R&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. &lt;/del&gt;Quezlar, Olaff Devork, Pomfri Resgrew, and [[Rattallan]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[grenfing|&lt;/ins&gt;grenfer&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;from [[Shepenor]], Frank Sicksdagrees. He lived just prior to and during the Grenf Tracing Ban of -147 [[EC]]. Only one piece of poetry that surely is his &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;has been &lt;/ins&gt;saved &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;for &lt;/ins&gt;posterity, but it is so bad a piece that I refuse to print it here (but you may go to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Mureannor|&lt;/ins&gt;this scholar's work]] to read it). Other suspects include X R Quezlar, Olaff Devork, Pomfri Resgrew, and [[Rattallan]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for disputed works, one that is proclaimed a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Peershake &lt;/del&gt;by one faction and a Not Peershake by another is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;The pie in question is a [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Lemming pie|&lt;/del&gt;lemming pie]] and to this day &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;this &lt;/del&gt;work is cited in art history as the most famous use of the pie in the history of art. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;I, myself, do not care for lemming pie and cannot understand the devotion &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;that &lt;/del&gt;you screwballs have to the dessert!&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for disputed works, one that is proclaimed a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Peershakes]] &lt;/ins&gt;by one faction and a Not Peershake by another is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]]. The pie in question is a [[lemming pie]] and&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;to this day&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, the &lt;/ins&gt;work is cited in art history as the most famous use of the pie in the history of art. I, myself, do not care for lemming pie and cannot understand the devotion you screwballs have to the dessert!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As was said earlier, one work is definitely signed &amp;quot;Not Peershakes&amp;quot; and yet the authorship is still in question &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;for the fact that &lt;/del&gt;no one knows if indeed it truly was the person calling &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;himself &lt;/del&gt;or herself Not Peershakes who had simply tired of faking any semblance of the talented &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Peershakes&lt;/del&gt;, or if it was yet another imposter who wanted to ride on the pincertails of the &amp;quot;Great Imposter.&amp;quot; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;What makes this discussion even more strange is the fact that &amp;quot;T'as a blimey nikt,&amp;quot; is actually quite a good play. Indeed, so good a play that some hold the bold assertion that it was Peershakes himself who wrote it and then signed it &amp;quot;Not Peershakes&amp;quot; as a kind of perverse joke. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Whether Peershakes was a pervert or not this author cannot say&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;I report the facts, I don't necessarily believe them!&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As was said earlier, one work is definitely signed &amp;quot;Not Peershakes&amp;quot; and yet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;the authorship is still in question&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/ins&gt;no one knows if indeed it truly was the person calling &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;him- &lt;/ins&gt;or herself &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/ins&gt;Not Peershakes&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/ins&gt;who had simply tired of faking any semblance of the talented &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;writer&lt;/ins&gt;, or if it was yet another imposter who wanted to ride on the pincertails of the &amp;quot;Great Imposter.&amp;quot; What makes this discussion even more strange is the fact that &amp;quot;T'as a blimey nikt,&amp;quot; is actually quite a good play. Indeed, so good a play that some hold the bold assertion that it was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Peershakes&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;himself who wrote it and then signed it &amp;quot;Not Peershakes&amp;quot; as a kind of perverse joke. Whether Peershakes was a pervert or not&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;this author cannot say&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;: &lt;/ins&gt;I report the facts, I don't necessarily believe them!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for &amp;quot;true&amp;quot; Peershakes plays, the whole of the [[Amphitheatre aristocracy&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;|Amphitheatre Aristocracy&lt;/del&gt;]] is quite agog about them, and at the same time blindly disgusted by anything that smells of Not Peershakes. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;This avoidance is so distinct and well-known that the [[NeoAlezanians]] took advantage of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;this &lt;/del&gt;in -12 [[EC]] and played the [[Mish prank]], a joke of such disgusting frivolity that it is still spoken of today in both Peershakes and Not Peershakes circles.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for &amp;quot;true&amp;quot; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Peershakes&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;plays, the whole of the [[Amphitheatre aristocracy]] is quite agog about them, and at the same time blindly disgusted by anything that smells of Not Peershakes. This avoidance is so distinct and well-known that the [[NeoAlezanians]] took advantage of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;it &lt;/ins&gt;in -12 [[EC]] and played the [[Mish prank]], a joke of such disgusting frivolity that it is still spoken of today in both Peershakes and Not Peershakes circles.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;'''Citations''': [[Amphitheatre aristocracy]], [[Mish prank]], [[Peershakes]].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Citations: &lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Amphitheatre aristocracy]], [[Mish prank&lt;/del&gt;]], &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Peershakes]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;--&lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;User:Nikos of Ant|Nikos of Ant&lt;/ins&gt;]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;23:32&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;22 Aug 2005 (EDT)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Category&lt;/ins&gt;:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;People&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;--&lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;User&lt;/del&gt;:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Nikos of Ant|Nikos of Ant&lt;/del&gt;]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;23:32, 22 Aug 2005 (EDT)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Morbus Iff</name></author>
		
	</entry>
	<entry>
		<id>https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27031&amp;oldid=prev</id>
		<title>Nikos of Ant at 19:59, 25 August 2005</title>
		<link rel="alternate" type="text/html" href="https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27031&amp;oldid=prev"/>
		<updated>2005-08-25T19:59:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:59, 25 August 2005&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know.  This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely unkown or unremembered or very-well-forgotten by all of Ghyll.  There have been and are, however, numerous people alleged to have been Not Peershakes, you just can't stop a [[lay public|curious public]] from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blimey nikt,&amp;quot; a play about the exploits of funnyman K Mrx.  Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know.  This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely unkown or unremembered or very-well-forgotten by all of Ghyll.  There have been and are, however, numerous people alleged to have been Not Peershakes, you just can't stop a [[lay public|curious public]] from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blimey nikt,&amp;quot; a play about the exploits of funnyman K Mrx.  Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman grenfer from Shepenor, Frank Sicksdagrees.  He lived just prior to and during the Grenf Tracing Ban of -147 [[EC]].  Only one piece of poetry that surely is his is saved to posterity, but it is so bad a piece that I refuse to print it here (but you may go to this scholar's [[Mureannor|work]] to read it).  Other suspects include X.R. Quezlar, Olaff Devork, Pomfri Resgrew, and [[Rattallan]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman grenfer from &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Shepenor&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, Frank Sicksdagrees.  He lived just prior to and during the Grenf Tracing Ban of -147 [[EC]].  Only one piece of poetry that surely is his is saved to posterity, but it is so bad a piece that I refuse to print it here (but you may go to this scholar's [[Mureannor|work]] to read it).  Other suspects include X.R. Quezlar, Olaff Devork, Pomfri Resgrew, and [[Rattallan]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for disputed works, one that is proclaimed a Peershake by one faction and a Not Peershake by another is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]].  The pie in question is a lemming pie and to this day this work is cited in art history as the most famous use of the pie in art.  I, myself, do not care for lemming pie and cannot understand the devotion that you screwballs have to the dessert!&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for disputed works, one that is proclaimed a Peershake by one faction and a Not Peershake by another is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]].  The pie in question is a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Lemming pie|&lt;/ins&gt;lemming pie&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and to this day this work is cited in art history as the most famous use of the pie in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the history of &lt;/ins&gt;art.  I, myself, do not care for lemming pie and cannot understand the devotion that you screwballs have to the dessert!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As was said earlier, one work is definitely signed &amp;quot;Not Peershakes&amp;quot; and yet the authorship is still in question for the fact that no one knows if indeed it was Not Peershakes who had simply tired of faking any semblance of the talented Peershakes, or if &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;indeed &lt;/del&gt;it was yet another imposter who wanted to ride on the pincertails of the &amp;quot;Great Imposter.&amp;quot;  What makes this discussion even more strange is the fact that &amp;quot;T'as a blimey nikt,&amp;quot; is actually quite a good play. Indeed, so good a play that some hold the bold assertion that it was Peershakes himself who wrote it and then signed it &amp;quot;Not Peershakes&amp;quot; as a kind of perverse joke.  Whether Peershakes was a pervert or not this author cannot say, I report the facts, I don't necessarily believe them!&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As was said earlier, one work is definitely signed &amp;quot;Not Peershakes&amp;quot; and yet the authorship is still in question for the fact that no one knows if indeed it &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;truly &lt;/ins&gt;was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the person calling himself or herself &lt;/ins&gt;Not Peershakes who had simply tired of faking any semblance of the talented Peershakes, or if it was yet another imposter who wanted to ride on the pincertails of the &amp;quot;Great Imposter.&amp;quot;  What makes this discussion even more strange is the fact that &amp;quot;T'as a blimey nikt,&amp;quot; is actually quite a good play. Indeed, so good a play that some hold the bold assertion that it was Peershakes himself who wrote it and then signed it &amp;quot;Not Peershakes&amp;quot; as a kind of perverse joke.  Whether Peershakes was a pervert or not this author cannot say, I report the facts, I don't necessarily believe them!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for &amp;quot;true&amp;quot; Peershakes plays, the whole of the [[Amphitheatre aristocracy|Amphitheatre Aristocracy]] is quite agog about them, and at the same time blindly disgusted by anything that smells of Not Peershakes.  This avoidance is so distinct and well-known that the [[NeoAlezanians]] took advantage of this in -12 [[EC]] and played the [[Mish prank]], a joke of such disgusting frivolity that it is still spoken of today in both Peershakes and Not Peershakes circles.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for &amp;quot;true&amp;quot; Peershakes plays, the whole of the [[Amphitheatre aristocracy|Amphitheatre Aristocracy]] is quite agog about them, and at the same time blindly disgusted by anything that smells of Not Peershakes.  This avoidance is so distinct and well-known that the [[NeoAlezanians]] took advantage of this in -12 [[EC]] and played the [[Mish prank]], a joke of such disgusting frivolity that it is still spoken of today in both Peershakes and Not Peershakes circles.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nikos of Ant</name></author>
		
	</entry>
	<entry>
		<id>https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27030&amp;oldid=prev</id>
		<title>Nikos of Ant at 03:41, 23 August 2005</title>
		<link rel="alternate" type="text/html" href="https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27030&amp;oldid=prev"/>
		<updated>2005-08-23T03:41:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:41, 23 August 2005&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know.  This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely unkown or unremembered or very-well-forgotten by all of Ghyll.  There have been and are, however, numerous people alleged to have been Not Peershakes, you just can't stop a [[lay public|curious public]] from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blimey nikt,&amp;quot; a play about the exploits of funnyman K Mrx.  Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know.  This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely unkown or unremembered or very-well-forgotten by all of Ghyll.  There have been and are, however, numerous people alleged to have been Not Peershakes, you just can't stop a [[lay public|curious public]] from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blimey nikt,&amp;quot; a play about the exploits of funnyman K Mrx.  Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman grenfer from Shepenor, Frank Sicksdagrees.  He lived just prior and during the Grenf Tracing Ban of -147 [[EC]].  Only one piece of poetry that surely is his is saved to posterity, but it is so bad a piece that I refuse to print it here (but you may go to this scholar's [[Mureannor|work]] to read it).  Other suspects include X.R. Quezlar, Olaff Devork, Pomfri Resgrew, and [[Rattallan]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman grenfer from Shepenor, Frank Sicksdagrees.  He lived just prior &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;to &lt;/ins&gt;and during the Grenf Tracing Ban of -147 [[EC]].  Only one piece of poetry that surely is his is saved to posterity, but it is so bad a piece that I refuse to print it here (but you may go to this scholar's [[Mureannor|work]] to read it).  Other suspects include X.R. Quezlar, Olaff Devork, Pomfri Resgrew, and [[Rattallan]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for disputed works, one that is proclaimed a Peershake by one faction and a Not Peershake by another is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]].  The pie in question is a lemming pie and to this day this work is cited in art history as the most famous use of the pie in art.  I, myself, do not care for lemming pie and cannot understand the devotion that you screwballs have to the dessert!&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for disputed works, one that is proclaimed a Peershake by one faction and a Not Peershake by another is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]].  The pie in question is a lemming pie and to this day this work is cited in art history as the most famous use of the pie in art.  I, myself, do not care for lemming pie and cannot understand the devotion that you screwballs have to the dessert!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nikos of Ant</name></author>
		
	</entry>
	<entry>
		<id>https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27029&amp;oldid=prev</id>
		<title>Nikos of Ant at 03:40, 23 August 2005</title>
		<link rel="alternate" type="text/html" href="https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27029&amp;oldid=prev"/>
		<updated>2005-08-23T03:40:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:40, 23 August 2005&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know.  This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely unkown or unremembered or very-well-forgotten by all of Ghyll.  There have been and are, however, numerous people alleged to have been Peershakes, you just can't stop a [[lay public|curious public]] from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blimey nikt,&amp;quot; a play about the exploits of funnyman K Mrx.  Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know.  This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely unkown or unremembered or very-well-forgotten by all of Ghyll.  There have been and are, however, numerous people alleged to have been &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Not &lt;/ins&gt;Peershakes, you just can't stop a [[lay public|curious public]] from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blimey nikt,&amp;quot; a play about the exploits of funnyman K Mrx.  Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman grenfer from Shepenor, Frank Sicksdagrees.  He lived just prior and during the Grenf Tracing Ban of -147 [[EC]].  Only one piece of poetry that surely is his is saved to posterity, but it is so bad a piece that I refuse to print it here (but you may go to this scholar's [[Mureannor|work]] to read it).  Other suspects include X.R. Quezlar, Olaff Devork, Pomfri Resgrew, and [[Rattallan]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman grenfer from Shepenor, Frank Sicksdagrees.  He lived just prior and during the Grenf Tracing Ban of -147 [[EC]].  Only one piece of poetry that surely is his is saved to posterity, but it is so bad a piece that I refuse to print it here (but you may go to this scholar's [[Mureannor|work]] to read it).  Other suspects include X.R. Quezlar, Olaff Devork, Pomfri Resgrew, and [[Rattallan]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for disputed works, one &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;work &lt;/del&gt;that is proclaimed a Peershake by one faction and a Not Peershake by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;an opposing camp &lt;/del&gt;is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]].  The pie in question is a lemming pie and to this day this work is cited in art history as the most famous use of the pie in art.  I, myself, do not care for lemming pie and cannot understand the devotion that you screwballs have to the dessert!&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for disputed works, one that is proclaimed a Peershake by one faction and a Not Peershake by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;another &lt;/ins&gt;is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]].  The pie in question is a lemming pie and to this day this work is cited in art history as the most famous use of the pie in art.  I, myself, do not care for lemming pie and cannot understand the devotion that you screwballs have to the dessert!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As was said earlier, one work is definitely signed &amp;quot;Not Peershakes&amp;quot; and yet the authorship is still in question for the fact that no one knows if indeed it was Not Peershakes who had simply tired of faking any semblance of the talented Peershakes, or if indeed it was yet another imposter who wanted to ride on the pincertails of the &amp;quot;Great Imposter.&amp;quot;  What makes this discussion even more strange is the fact that &amp;quot;T'as a blimey nikt,&amp;quot; is actually quite a good play.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As was said earlier, one work is definitely signed &amp;quot;Not Peershakes&amp;quot; and yet the authorship is still in question for the fact that no one knows if indeed it was Not Peershakes who had simply tired of faking any semblance of the talented Peershakes, or if indeed it was yet another imposter who wanted to ride on the pincertails of the &amp;quot;Great Imposter.&amp;quot;  What makes this discussion even more strange is the fact that &amp;quot;T'as a blimey nikt,&amp;quot; is actually quite a good play. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Indeed, so good a play that some hold the bold assertion that it was Peershakes himself who wrote it and then signed it &amp;quot;Not Peershakes&amp;quot; as a kind of perverse joke.  Whether Peershakes was a pervert or not this author cannot say, I report the facts, I don't necessarily believe them!&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for &amp;quot;true&amp;quot; Peershakes plays, the whole of the [[Amphitheatre aristocracy|Amphitheatre Aristocracy]] is quite agog about them, and at the same time blindly disgusted by anything that smells of Not Peershakes.  This avoidance is so distinct and well-known that the [[NeoAlezanians]] took advantage of this in -12 [[EC]] and played the [[Mish prank]], a joke of such disgusting frivolity that it is still spoken of today in both Peershakes and Not Peershakes circles.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for &amp;quot;true&amp;quot; Peershakes plays, the whole of the [[Amphitheatre aristocracy|Amphitheatre Aristocracy]] is quite agog about them, and at the same time blindly disgusted by anything that smells of Not Peershakes.  This avoidance is so distinct and well-known that the [[NeoAlezanians]] took advantage of this in -12 [[EC]] and played the [[Mish prank]], a joke of such disgusting frivolity that it is still spoken of today in both Peershakes and Not Peershakes circles.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nikos of Ant</name></author>
		
	</entry>
	<entry>
		<id>https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27028&amp;oldid=prev</id>
		<title>Nikos of Ant at 03:32, 23 August 2005</title>
		<link rel="alternate" type="text/html" href="https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27028&amp;oldid=prev"/>
		<updated>2005-08-23T03:32:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:32, 23 August 2005&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;dib&lt;/del&gt;'&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;d   &lt;/del&gt;--[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;User:Nikos of Ant&lt;/del&gt;|&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Nikos of Ant&lt;/del&gt;]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;16:23&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;22 Aug 2005 (EDT)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don&lt;/ins&gt;'&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;t know.  This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely unkown or unremembered or very&lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;well&lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;forgotten by all of Ghyll.  There have been and are, however, numerous people alleged to have been Peershakes, you just can't stop a &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;lay public&lt;/ins&gt;|&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;curious public&lt;/ins&gt;]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blimey nikt&lt;/ins&gt;,&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; a play about the exploits of funnyman K Mrx.  Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Peershakes|M&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Peershakes]] &lt;/del&gt;lived &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;from &lt;/del&gt;-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;204 &lt;/del&gt;[[EC]] to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;-152 &lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;EC&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;; the personage known as '''Not Peershakes''' lived from goodness knows when &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;I really don't know&lt;/del&gt;.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;This lack of information is derived solely from the fact that whoever this guy&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;gal or grubling was, is completely unkown or unremembered or very-well-forgotten by all of Ghyll.  There are numerous prospects alleged to be Peershakes&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the most widely voiced being the journeyman grenfer from Shepenor&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Frank Sicksdagrees&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman grenfer from Shepenor, Frank Sicksdagrees&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; He &lt;/ins&gt;lived &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;just prior and during the Grenf Tracing Ban of &lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;147 &lt;/ins&gt;[[EC]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  Only one piece of poetry that surely is his is saved to posterity, but it is so bad a piece that I refuse &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;print it here (but you may go to this scholar's &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mureannor|work&lt;/ins&gt;]] to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;read it)&lt;/ins&gt;.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Other suspects include X.R. Quezlar&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Olaff Devork&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Pomfri Resgrew&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and [[Rattallan]]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;There are also numerous &lt;/del&gt;works &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;attributed to Not Peershakes&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blime nikt,&amp;quot; a play about the exploits of funnyman .  One &lt;/del&gt;work that is proclaimed a Peershake by one faction and a Not Peershake by an opposing camp is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]].  The pie in question is a lemming pie and to this day this work is cited in art history as the most famous use of the pie in art.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;As for disputed &lt;/ins&gt;works, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;one &lt;/ins&gt;work that is proclaimed a Peershake by one faction and a Not Peershake by an opposing camp is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]].  The pie in question is a lemming pie and to this day this work is cited in art history as the most famous use of the pie in art. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; I, myself, do not care for lemming pie and cannot understand the devotion that you screwballs have to the dessert!&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;As was said earlier, one work is definitely signed &amp;quot;Not Peershakes&amp;quot; and yet the authorship is still in question for the fact that no one knows if indeed it was Not Peershakes who had simply tired of faking any semblance of the talented Peershakes, or if indeed it was yet another imposter who wanted to ride on the pincertails of the &amp;quot;Great Imposter.&amp;quot;  What makes this discussion even more strange is the fact that &amp;quot;T'as a blimey nikt,&amp;quot; is actually quite a good play. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;As for &amp;quot;true&amp;quot; Peershakes plays, the whole of the [[Amphitheatre aristocracy|Amphitheatre Aristocracy]] is quite agog about them, and at the same time blindly disgusted by anything that smells of Not Peershakes.  This avoidance is so distinct and well-known that the [[NeoAlezanians]] took advantage of this in -12 [[EC]] and played the [[Mish prank]], a joke of such disgusting frivolity that it is still spoken of today in both Peershakes and Not Peershakes circles.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citations: [[Amphitheatre aristocracy]], [[Mish prank]], [[Peershakes]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[User:Nikos &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Ant|Nikos &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Ant]] 23&lt;/ins&gt;:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;32&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;22 Aug 2005 &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;EDT&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;Carving interesting patterns in carapaces has probably been done for at least a thousand years. Grenfing, the process of creating a mureannor by carving grooves with varying width and depth so that, when traced with a mandible, the whole carapace would resonate with sound, dates from about &lt;/del&gt;-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;350 EC. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Mureannors would travel from village to town, and would entertain locals by tracing their grenfs and causing the sounds to resonate from their carapaces. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;However, any new development is invariably corrupted. Young couples soon found it enjoyable to have matching patterns, and would take turns tracing each others' grenfs. In &lt;/del&gt;-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;147 EC, Reeyay pronounced the tracing of others' grenfs to be indecent, and sought to have it banned. This led to a period &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;great popularity for grenfed carapaces over the next three decades. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Verses &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Peershakes' sonnets were very popular subjects which people would have grenfed into their carapaces. Frank Sicksdagrees, widely suspected to be the impostor known as Not Peershakes, was a journeyman grenfer in Shepenor. Quite probably, he first came across Peershakes' verses when clients began bringing in wonderful bits of poetry for grenfing into their carapaces. But the only bit of verse reliably attributed to Mr. Sicksdagrees is this bit of doggerel&lt;/del&gt;:  &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Whoah that's a big belly&lt;/del&gt;,  &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Waddling down the street. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;I wouldn't want to be &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Between him and his lunch table. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He looks like he knows how to &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Wield a buffet mace. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Of course, with the familiarity youth have with one another today, running a mandible along the grenfs on a sleek, shiny carapace just isn't as exciting as it once was&amp;quot;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;Gimlet is a play written about -167 EC by M. Peershakes &lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;b. -204 EC, d. -152 EC&lt;/del&gt;)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. In his day, Peershakes was a noted scribbler and versifier. Productions of Gimlet are a perennial favorite among the Amphitheatre aristocracy and numerous famous stage actors have played the part of the title character. Since a full production of the play takes almost six hours, there are many abriged versions which are more commonly presented. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Gimlet was first presented at the Folktown Amphitheatre in -166 EC by the Third Horse Grenadiers, one of the finest troupes of players in the history of theater. Peershakes was a member of this company, and had already written almost a dozen other minor plays for them, many of them simple extrapolations of wive's tales. Gimlet was an immediate hit, and was performed no less than thirty times in the following year. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The story of Gimlet is an appealing farce. Gimlet is a young prince of Iganefta-on-the-Sea. Through an amazing series of coincidences, he finds himself in one predicament after another, and he goes through a series of screwball adventures with his two pals, Rocky and Guido. Their adventures include acting out a play for the king, playing hide-and-daggers, and cleaning their ears. In its day, it was a scandal for purportedly revealing secrets of the &amp;quot;Skull and Clown Society&amp;quot; at Bute University. But there is little real information about the organization in the play.&amp;quot;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nikos of Ant</name></author>
		
	</entry>
	<entry>
		<id>https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27027&amp;oldid=prev</id>
		<title>Nikos of Ant at 20:23, 22 August 2005</title>
		<link rel="alternate" type="text/html" href="https://www.disobey.com/w/index.php?title=Ghyll:Not_Peershakes&amp;diff=27027&amp;oldid=prev"/>
		<updated>2005-08-22T20:23:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;dib'd   --[[User:Nikos of Ant|Nikos of Ant]] 16:23, 22 Aug 2005 (EDT)&lt;br /&gt;
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[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know.  This lack of information is derived solely from the fact that whoever this guy, gal or grubling was, is completely unkown or unremembered or very-well-forgotten by all of Ghyll.  There are numerous prospects alleged to be Peershakes, the most widely voiced being the journeyman grenfer from Shepenor, Frank Sicksdagrees.  &lt;br /&gt;
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There are also numerous works attributed to Not Peershakes, all signed &amp;quot;Peershakes&amp;quot; of course, except for &amp;quot;T'as a blime nikt,&amp;quot; a play about the exploits of funnyman .  One work that is proclaimed a Peershake by one faction and a Not Peershake by an opposing camp is &amp;quot;A Comedie of People Beinge Hit In The Face by Pie&amp;quot; written circa -171 [[EC]].  The pie in question is a lemming pie and to this day this work is cited in art history as the most famous use of the pie in art.&lt;br /&gt;
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&amp;quot;Carving interesting patterns in carapaces has probably been done for at least a thousand years. Grenfing, the process of creating a mureannor by carving grooves with varying width and depth so that, when traced with a mandible, the whole carapace would resonate with sound, dates from about -350 EC. &lt;br /&gt;
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Mureannors would travel from village to town, and would entertain locals by tracing their grenfs and causing the sounds to resonate from their carapaces. &lt;br /&gt;
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However, any new development is invariably corrupted. Young couples soon found it enjoyable to have matching patterns, and would take turns tracing each others' grenfs. In -147 EC, Reeyay pronounced the tracing of others' grenfs to be indecent, and sought to have it banned. This led to a period of great popularity for grenfed carapaces over the next three decades. &lt;br /&gt;
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Verses of Peershakes' sonnets were very popular subjects which people would have grenfed into their carapaces. Frank Sicksdagrees, widely suspected to be the impostor known as Not Peershakes, was a journeyman grenfer in Shepenor. Quite probably, he first came across Peershakes' verses when clients began bringing in wonderful bits of poetry for grenfing into their carapaces. But the only bit of verse reliably attributed to Mr. Sicksdagrees is this bit of doggerel: &lt;br /&gt;
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Whoah that's a big belly, &lt;br /&gt;
Waddling down the street. &lt;br /&gt;
I wouldn't want to be &lt;br /&gt;
Between him and his lunch table. &lt;br /&gt;
He looks like he knows how to &lt;br /&gt;
Wield a buffet mace. &lt;br /&gt;
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Of course, with the familiarity youth have with one another today, running a mandible along the grenfs on a sleek, shiny carapace just isn't as exciting as it once was&amp;quot;&lt;br /&gt;
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&amp;quot;Gimlet is a play written about -167 EC by M. Peershakes (b. -204 EC, d. -152 EC). In his day, Peershakes was a noted scribbler and versifier. Productions of Gimlet are a perennial favorite among the Amphitheatre aristocracy and numerous famous stage actors have played the part of the title character. Since a full production of the play takes almost six hours, there are many abriged versions which are more commonly presented. &lt;br /&gt;
&lt;br /&gt;
Gimlet was first presented at the Folktown Amphitheatre in -166 EC by the Third Horse Grenadiers, one of the finest troupes of players in the history of theater. Peershakes was a member of this company, and had already written almost a dozen other minor plays for them, many of them simple extrapolations of wive's tales. Gimlet was an immediate hit, and was performed no less than thirty times in the following year. &lt;br /&gt;
&lt;br /&gt;
The story of Gimlet is an appealing farce. Gimlet is a young prince of Iganefta-on-the-Sea. Through an amazing series of coincidences, he finds himself in one predicament after another, and he goes through a series of screwball adventures with his two pals, Rocky and Guido. Their adventures include acting out a play for the king, playing hide-and-daggers, and cleaning their ears. In its day, it was a scandal for purportedly revealing secrets of the &amp;quot;Skull and Clown Society&amp;quot; at Bute University. But there is little real information about the organization in the play.&amp;quot;&lt;/div&gt;</summary>
		<author><name>Nikos of Ant</name></author>
		
	</entry>
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