Ghyll:Hermeneutics - Revision history

Jcowan: /* Musical Hermeneutics */ Typo

2005-08-23T12:18:21Z

Musical Hermeneutics: Typo

Morbus Iff: Reformatting the comment as inline.

2005-07-16T16:07:42Z

Reformatting the comment as inline.

Morbus Iff: Copyediting on the weekend? Sin!

2005-07-16T16:01:08Z

Copyediting on the weekend? Sin!

Jcowan at 19:33, 7 July 2005

2005-07-07T19:33:37Z

Jcowan: Misspelling

2005-07-07T19:31:39Z

Misspelling

Jcowan: Misspelling

2005-07-07T19:23:37Z

Misspelling

Joe Bowers: polish

2005-07-05T04:14:00Z

polish

Joe Bowers: /* Applied Linguistic Hermeneutics- Typo */

2005-07-05T04:08:05Z

Applied Linguistic Hermeneutics- Typo

Joe Bowers: /* Applied Linguistic Hermeneutics - Rephrase, Bardaway */

2005-07-05T04:07:06Z

Applied Linguistic Hermeneutics - Rephrase, Bardaway

Joe Bowers: note re: the blashmen

2005-07-04T04:11:05Z

note re: the blashmen

@@ Line 14: / Line 14: @@
 ==Musical Hermeneutics==
-Begun in part as an outgrowth of [[Briorus Jan-Vanderschusen|Jan-Vandershusen]]'s work, and in part as a reaction to the simultaneous publication of the foundational and groundbreaking [[Songs of Odgar The Fourth]] and the death of [[Odgar IV]] himself. Herbert Blashford's -234 [[EC]] paper ''Too Much Metal for Just One Hand: Critical Methodologies and the Works of Odgar [[Rejah]]'', which coined the term "Musical Hermeneutics", is usually credited with outlining the fundimental approaches of the field and identifying the common threads of the preceding social and physical fields of study.
+Begun in part as an outgrowth of [[Briorus Jan-Vanderschusen|Jan-Vanderschusen]]'s work, and in part as a reaction to the simultaneous publication of the foundational and groundbreaking [[Songs of Odgar The Fourth]] and the death of [[Odgar IV]] himself. Herbert Blashford's -234 [[EC]] paper ''Too Much Metal for Just One Hand: Critical Methodologies and the Works of Odgar [[Rejah]]'', which coined the term "Musical Hermeneutics", is usually credited with outlining the fundimental approaches of the field and identifying the common threads of the preceding social and physical fields of study.
 As a footnote, although his scholarly work is often overshadowed by his later role as front man of [[Quiver'n'bend|Herbie Blashford and the Blashmen]], Blashford's role as a theoretical pioneer was a great influence on his later work. Consider the following lyrics:

@@ Line 15: / Line 15: @@
 Begun in part as an outgrowth of [[Briorus Jan-Vanderschusen|Jan-Vandershusen]]'s work, and in part as a reaction to the simultaneous publication of the foundational and groundbreaking [[Songs of Odgar The Fourth]] and the death of [[Odgar IV]] himself. Herbert Blashford's -234 [[EC]] paper ''Too Much Metal for Just One Hand: Critical Methodologies and the Works of Odgar [[Rejah]]'', which coined the term "Musical Hermeneutics", is usually credited with outlining the fundimental approaches of the field and identifying the common threads of the preceding social and physical fields of study.
 ==Applied Biological Hermeneutics==
@@ Line 41: / Line 49: @@
 [[Category:Other]]

@@ Line 1: / Line 1: @@
 __TOC__
-The term '''Hermeneutics''', in its most common usage,
+The term '''hermeneutics''', in its most common usage, denotes the science and craft of denotation, that is, the investigation of the nature of meaning, and the application of those conclusions to practical pursuits. Because of the broad nature and diverse methods of the field, its formal scholarly investigation or study is usually confined to a particular subdivision; it is rare to find a scholar or student of hermeneutics in general.
 ==Geometric Hermeneutics==
-Geometric Hermeneutics is the formal study of the meaning and interpretation of space or extension,
+Geometric Hermeneutics is the formal study of the meaning and interpretation of space or extension, and the [[Mother Mutton's Golden Books|reciprocal effects of that meaning]]. This field, also historically referred to as as ''Geo-Semantics'', has been studied in
-and the [[Mother Mutton's Golden Books|reciprocal effects of that meaning]].
+Ghyll from as early as [[Bute University|the great civil war]] and the discovery of the ''Geo-Semantic Principle'', that is, that wherever you go, there you are. Applied Geometric Hemeneutics is a necessary prerequisite study for competent city planning, appropriate seating arrangements at fancy-pants dinner parties, and [[orthogonalities|orthogonal cartography]].
 ==Social Hermeneutics==
-[[Briorus Jan-Vanderschusen]] is generally considered to be
+[[Briorus Jan-Vanderschusen]] is generally considered to be the father of this sub-discipline, publishing the foundational text in Applied Social Hermeneutics, ''Not '''That''' Way You [[Splak]]head, '''This''' Way!'' in -246 [[EC]]. While this field has [[Systematic Epistemological Action|very a wide variety of applications]] and an active research community, the Committee for Epistemological Hygiene at the [[Bureau of Forgotten Knowledge]] has submitted a request that all discussion of the details of the field in this encyclopedia be subject to review, and has declined to review this entry. Interested scholars are encouraged to contact [[Jarvik Jarvik]], CEH Authority, with regard to information request 202020 ("Applied Social Hermeneutics", "Encyclopedia") for more information.
 ==Musical Hermeneutics==
-Begun in part as an outgrowth of Jan-Vandershusen's work, and in part as
+Begun in part as an outgrowth of [[Briorus Jan-Vanderschusen|Jan-Vandershusen]]'s work, and in part as a reaction to the simultaneous publication of the foundational and groundbreaking [[Songs of Odgar The Fourth]] and the death of [[Odgar IV]] himself. Herbert Blashford's -234 [[EC]] paper ''Too Much Metal for Just One Hand: Critical Methodologies and the Works of Odgar [[Rejah]]'', which coined the term "Musical Hermeneutics", is usually credited with outlining the fundimental approaches of the field and identifying the common threads of the preceding social and physical fields of study.
 ==Applied Biological Hermeneutics==
-Another important voice in Musical Hermeneutics is renessance scholar
+Another important voice in Musical Hermeneutics is renaissance scholar [[Wilhelmina Corinne Bardway]]. Bardway's work in developing the [[ghoulwood viola]] in -100 [[EC]] is usually considered the great applied breakthrough in the musical definition and interpretation of meaning. The viola project also spawned the field of Applied Biological Hermeneutics, that is, the reflection of interpretation and meaning to biological and organic materials and processes, a work that Bardway continued to this day in application to [[Speedish Chefs|culinary]] and [[Zygotic Dermatosis|medical]] subjects. Because good lord, she's old. And still so sassy!
 ==Applied Linguistic Hermeneutics==
-A young field, serious applied study of the subject has only begun as recently
+A young field, seriously applied study of the subject has only begun as recently as -65 [[EC]], with the recognition by the scholarly community of the [[Cactus forests|MSG Effect]]. [[Wilhelmina Corinne Bardway|Bardway]] has been instrumental in developing the material approaches and applications for the techniques in this area, most significantly (at present) in her paper ''[[Carthage]] Must Be Destroyed: Linguology, Meaning, and New Aesthetics for [[Old hat|Old Hat]]''. Promising recent results have been achieved by scholars in the application of linguological study to the synthesis of certain spices.
 ==EctoMechanical Hermeneutics==
-Carl Kapek's -45 [[EC]] paper
+Carl Kapek's -45 [[EC]] paper ''The Mechanical Power of Positive Thinking Applied to the Positron Powered Thinking Machine'' is the pioneering work on this subject, and may be the most influential piece of scholarship in our current [[EctoMechanauts|EctoMechanical Age]]. This field is the subject of extremely active research, both in the scholarly and private sectors.
 ==Critical Hermeneutics==
-Nobody pays much attention to this field. Just a lot of old windbags
+Nobody pays much attention to this field. Just a lot of old windbags talking themselves around in circles.
 ==The Study of Hermen "J.J" Neut, of Wikaway Lane, Cranee Village==
-A secondary use of the term, this field is very new. While it has much promise, it has
+A secondary use of the term, this field is very new. While it has much promise, it has yet to produce significant results.
-'''Citations:''' [[Briorus Jan-Vanderschusen]], [[Wilhelmina Corinne Bardway]], [[Jarvik Jarvik]].
+'''Citations''': [[Briorus Jan-Vanderschusen]], [[Jarvik Jarvik]], [[Wilhelmina Corinne Bardway]].
 --[[User:Joe Bowers|Joe Bowers]] 23:08, 2 Jul 2005 (EDT)
 ----
-Although his scholarly work
+As a footnote, although his scholarly work is often overshadowed by his later role as front man of [[Quiver'n'bend|Herbie Blashford and the Blashmen]], Blashford's role as a theoretical pioneer was a great influence on his later work. Consider the following lyrics:
 is often overshadowed by his later role
-as front man of [[Quiver'n'bend|Herbie Blashford and the Blashmen]], Blashford's
+<blockquote>Well get out of that bed, wash your face and hands
-role as a theoretical pioneer was a great influence on his later work.
+<br />Get out of that bed, wash your face and hands
-Consider the following lyrics:
+<br />The phenomonological reflexivity of interpretive modes in music appreciation
-<blockquote>
+<br />Is pretty hard to understand
 </blockquote>
-[[Category:Other]]
+--[[User:Joe Bowers|Joe Bowers]] 23:08, 2 Jul 2005 (EDT)

@@ Line 65: / Line 65: @@
 of the [[Cactus forests|MSG Effect]]. Bardway has been instrumental in
 developing the material approaches and applications for the techniques
-in this area, most signifigantly (at present) in her paper
+in this area, most significantly (at present) in her paper
 ''[[Carthage]] Must Be Destroyed: Linguology, Meaning, and New Aesthetics for [[old hat|Old Hat]]''.
 Promising recent results have been achieved by scholars in the

@@ Line 86: / Line 86: @@
 A secondary use of the term, this field is very new. While it has much promise, it has
-yet to produce signifigant results.
+yet to produce significant results.
 '''Citations:''' [[Briorus Jan-Vanderschusen]], [[Wilhelmina Corinne Bardway]], [[Jarvik Jarvik]].

← Older revision		Revision as of 04:11, 4 July 2005
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	--[[User:Joe Bowers\|Joe Bowers]] 23:08, 2 Jul 2005 (EDT)		--[[User:Joe Bowers\|Joe Bowers]] 23:08, 2 Jul 2005 (EDT)
		+
		+	----
		+
		+	Although his scholarly work
		+	is often overshadowed by his later role
		+	as front man of [[Quiver'n'bend\|Herbie Blashford and the Blashmen]], Blashford's
		+	role as a theoretical pioneer was a great influence on his later work.
		+	Consider the following lyrics:
		+	<blockquote>
		+	Well get out of that bed, wash your face and hands<br/>
		+	Get out of that bed, wash your face and hands<br/>
		+	The phenomonological reflexivity of interpretive modes in music appreciation<br/>
		+	Is pretty hard to understand<br/>
		+	</blockquote>

	[[Category:Other]]		[[Category:Other]]