Sorry but i have to say that none of mankinds problems spawn from relig, that was just a way to control the minds of those who were over coming the fear of the more powerful. mankind developes a mind powerful enough the question therefore man begins to "GUESS" about the things which suround him/her time passes emotional attachments to those close by grow, death takes its tole. the question (No.1 question) arises about death and its meaning, the destination if any. BANG the unanswerable enigma that is the animate gone inanimate, and the last journey back to the planets resources. in the end some very intelegent person or people developed a convincing enough story about an almighty being aswering both where we came from and where we go afterwards. basicaly things spiraled downward from there, the story became belief, the belief became fact (in many differant forms) and the fact became a leash for the masses. there is no going back there is no change to be made its gone to far. there is nothing to be done as far as i see it ( and this is just my opinion)(badly spelt opinion). its not about who or what one believes its about what we do from here. there is no communication there is no understanding there is only death, we will all know soon enough who was right, or on the other hand we will just poof gone....be no more
Cloverfield (2008; Holy crap, this was good. Would be a great double-header with The Host.); Communion (1989; Didn't work for me. Walken an odd choice, and it was more humorous than tense.); The 400 Blows (Criterion Spine #4) (1959; Truffaut's first feature; I'm looking forward to the Antoine Doinel followups.); Silent Rage (1982; Great beginning and Norris-appreciation, but slow and meandering ending.); Dakota Bound (2001; An actual plot, good cheesy action scenes, and lesbians. Amazingly good.);
D&D 4E: Treasure of Talon Pass (4E: we're just a combat engine! Buy miniatures.); D&D 4E: Monster Manual (A little too light on fluff for me. Prefer fluff.); Apple Volume 1 (As an art book, great. But for story? Bleh.); The Art of Dragon Magazine (I remember many of these from the original issues.); Mateki: The Magic Flute (I like Amano, but this felt like wasted sketches.);
Sorry but i have to say that none of mankinds problems spawn from relig, that was just a way to control the minds of those who were over coming the fear of the more powerful. mankind developes a mind powerful enough the question therefore man begins to "GUESS" about the things which suround him/her time passes emotional attachments to those close by grow, death takes its tole. the question (No.1 question) arises about death and its meaning, the destination if any. BANG the unanswerable enigma that is the animate gone inanimate, and the last journey back to the planets resources. in the end some very intelegent person or people developed a convincing enough story about an almighty being aswering both where we came from and where we go afterwards. basicaly things spiraled downward from there, the story became belief, the belief became fact (in many differant forms) and the fact became a leash for the masses. there is no going back there is no change to be made its gone to far. there is nothing to be done as far as i see it ( and this is just my opinion)(badly spelt opinion). its not about who or what one believes its about what we do from here. there is no communication there is no understanding there is only death, we will all know soon enough who was right, or on the other hand we will just poof gone....be no more